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LOGLINE:
As her final act, an event-planner must coordinate the most crucial affair of her career: staging her own death. If successful, she'll save her best friend's life, as well as her company, and finally create a much-needed new beginning for herself. But can she do it? Could you? |
SYNOPSIS:
What makes the brilliant but quirky Francesca (Tess) Cronin truly remarkable is her particular knack for finding the "unexpected solution to what seems like an ordinary proposition." She has parlayed this talent into running Radical Acts - an agency that plans and executes highly unusual events for an exclusive clientele. She’s superb at her job, but suddenly, just short of her 35th birthday, she must handle an event she can’t control: the possible death of her best friend and surrogate mother, Clare.
And that’s not all Tess faces. Her rich but flaky business partner, Madelaine, decamps to the south of France to perfect her backhand, leaving Tess to face the reality that she may lose the agency. Tess will probably find another job, but if Radical Acts closes, Clare will lose the medical insurance that’s been paying for treatments that could just save her life. Now that "unexpected solution" takes on very real importance.
But for all her gifts and talents, Tess Cronin has one well-concealed flaw: she has always been one of life's great "planners." She is not a "do-er," and she has a trail of failed relationships to prove it, a legacy, she believes of her mother who disappeared at Tess's birth without even the tiniest clue as to why.
When Tess is nearly killed by a car running a red light, it's not her life she sees flashing before her eyes, but rather the "unexpected solution" to all her problems: she must stage the end of her own life. Her "death" will enable Clare to keep the agency and continue her medical care. And by vanishing, as her mother did before her, Tess will be forced to lay to rest the ghosts of her own past and find the answer to her mother’s mysterious disappearance.
Carefully, Tess puts together the extraordinary pieces of her plan, including a New Age heiress, a survivalist-militia group, an ash-filled Neiman Marcus shopping bag, a sex-crazed Fabio-look-alike pilot, a rock pinnacle 118' beneath the Pacific, and a funeral-cum-wedding set amid the glories of a California sunset. But as the time approaches for this final act, the end of her existence as Tess, and the jump into a whole new life, one question remains. Can she do it? |
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Posted August 23, 2006 |
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LOGLINE:
A deadly American seal harvest and a dangerous plan to save some seals face five protesters. They kidnap dozens of seals from a holding pen in a grueling escape across the frigid Bering Sea. Based on real events. |
SYNOPSIS:
Trinity O'Brien is a pretty college co-ed majoring in journalism. She's also a champion swimmer.But her real love is animals. So when spring term ends and she gets a chance to travel to St.Paul Island, in the Pribilof Islands,where the United States has an annual fur seal slaughter, she decides to spend her summer vacation writing about it and helping to end it.
She soon discovers that, underneath our veneer, humans are the most savage
animal of all. She finds most of the local natives indifferent to the suffering of the seals
and angry at her and others protesting the slaughter. In the days before the clubbing is to begin, Trinity befriends one particular male seal, a beautiful albino she names Chompers, and his pod.
As the time for the slaughter nears, she realizes she must come up with a plan to save them. When the clubbing begins, Trinity's horrified by it and even more determined to save them. Trinity gains their trust by feeding them fish. She teaches Chompers to follow her. He's the leader of his pod, and the others will follow him.
Trinity persuades four male friends to help her kidnap Chompers and his pod from a holding pen,where they await death. The hasty plan is to swim them across the bitterly
cold Bering Sea to George Island, where they will be safe, forty-seven miles away. Wearing a survival suit, Trinity will swim the seals, and the men will accompany her in a boat.
Trinity and the others stage a daring morning rescue of Chompers and his pod and fifty other seals, and all the seals follow Trinity to the sea. She leads the seals on what for her is a life-threatening swim. It's a grueling escape in freezing water, past sharks, and before they're even halfway there, a nineteen foot shark attacks and disables the boat.
Trinity continues on, suffering from hypothermia and delusions. How can she possibly make it? But she does. When she and the seals near George, eighteen hours after they
began, the seals are safe, but she is near death. There is a role reversal, with Chompers her only hope for survival…she climbs on his back and holds on. Hours later she is rescued by Peter, a fiery Russian helicopter pilot, who is part of the escape ... he risks an international incident when he flies her to a hospital in Russia. After recovering in Russia, Trinity has a reunion with Chompers at George Island, on the beach where she left him, one wonderful moment with the seal who saved her life.
It's an exciting, yet very moving, story about humans and seal clubbing, and the cruelty humans accept toward animals and each other, and the excuses we make for it. The story is semi-autobiographical, based on my visit to a 1983 harvest.
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Posted September 23, 2006 |
JUNGLES OF SANDAKAN
By Grace H Funk
funkgh@dodo.com.au
Feature Screenplay - Moondance Semi-Finalist 2007 |
LOGLINE:
They are teenagers in love. And, before their first date, war and an arranged marriage tear them apart, forever...or so it seems. |
SYNOPSIS:
What makes family so mean that they would betray their own flesh and blood? George is stuck in the jungles in a war he wants no part of. His brothers are killed because of it. His overbearing mother wants him away from the girl he loves and does what no mother would do. His best friend urges him to fight the enemy. His magistrate dad is a wimp. His religious sister-in-law secretly desires him and does the unthinkable. Everyone wants what's best for him. But, what he wants, he can't have.
George is determined to return to his girl. He misses her. He dreams of kissing her and marrying her. Soldiers are everywhere ready to kill him. He's all alone and his only sanctuary is the jungles of Sandakan that could also consume him. Can he stay alive, when every step he takes could be his last?
The film opens in Australia, Sydney's Burwood Park, where old George and his wife come upon a war memorial that takes them back 60 years--to their hometown of Sandakan in British North Borneo where, during WWII, over 2,000 Australian and British soldiers were imprisoned by the Japanese.
The story is a flashback to George as a 17-year-old Eurasian boy falling in love with his Chinese girlfriend, Ching. The backdrop of war with Australian and British prisoners of war in Sandakan's infamous Mile 8 camp and the Death March during 1943-1945 are based on real eyewitness accounts from the local people of Sandakan who come into contact with them, are seen through George and Ching's character.
As war ensues, so does love--with a deadly mix of hate, betrayal, lust, jealousy, grief and vengeance. In a world where the cultural tradition of arranged marriage must be upheld, families do what is best for their sons and for their daughters. Can love endure the tyranny of war and tradition? |
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Posted October 31, 2007 |
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LOGLINE:
In 1937 Europe, a middle-aged lawyer wakes up to the shambles of his life—his wife cheats, his boss is a Nazi-collaborating murderer, and his bourgeois friends breathe hypocrisy. Standing up for truth turns the town against him, and the more he fights for justice, the greater the peril to his life. |
SYNOPSIS:
It 1937 Europe, Nazism is on the rise and social values are rife with hypocrisy and injustices. Ivan Filipovic, fifty-two and successful counsel to his city’s most corrupt leader, suddenly wakes up to the passivity and waste of his life—where, at what point, did he lose his sense of morality? His wife blatantly cheats on him with their only daughter’s music teacher; his boss is a Nazi-collaborator and murderer and boasts about it; his colleagues and bourgeois social set are superficial hypocrites; and his Central European capital is a sham of social injustice.
When Ivan confronts his boss and the town with these truths, repercussions immediately occur. Ivan is thrown out of his house, loses his job, and faces a trial for slander. Lies about his behavior spread through the town like wildfire. Provoked to strike a particularly snide wastrel from the elite class, Ivan ends up at the police station with more charges against him.
Kaminski, a young, idealistic lawyer in love with Ivan’s daughter, and Jadviga, an ostracized, free-thinking actress with whom Ivan becomes lovers, are the only townspeople to take his side. The smuggler Valent is a rebel in his own right and ends up in Ivan’s cell and soul mate in prison.
Ivan soon finds that the more he speaks the truth the greater the danger to his life, as the powers controlling the town also control the courts and the press. It is too late for Ivan to return to his passive state—truth or death are his only choices as he witnesses the frail edge between reality and unreality in prewar Europe disappear.
Based on Nobel Prize-nominee Miroslav Krleza’s 1937 novel, On the Edge of Reason, MAD DOGS is a riveting story about the universal problem of power and corruption; the tide of evil that prevails until the counter-force of justice sweeps in to set things right. Keen wit and irony distinguish the protagonists in this multilayered story with outstanding roles for Ivan, Jadviga, Kaminski, Valent, and the villains Marko, Domacinski, and Judge von Rugvay. |
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Posted September 22, 2006 |
NO, THANKS
By Ann Eskridge & Brian Webster
annesk@ameritech.net
Family Comedy
Moondance Finalist 2006 |
LOGLINE:
An old curmudgeon and racist and his crazy pet pig, Bacon, are trapped with a Black family in Detroit over the Thanksgiving Holidays. "Home Alone" meets "Babe, Pig in the City".
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SYNOPSIS:
Lloyd Burns, a miserable loner, curmudgeon, and passionate racist, still fantasizes about the “good old days” -the 70's. Estranged from his daughter when she married an African-American, his only real friend is a crazy pig named Bacon. But when he suddenly has an almost-fatal heart attack, he takes the pig along to visit his long-lost daughter in Detroit, hoping to make amends, by spending the Thanksgiving holiday with her family.
As soon as he arrives in Detroit, everything goes wrong that can go wrong: his old car is stolen, along with the pig and his wallet and ID. To make matter worse, when he finally manages to get to his daughter's house, he discovers that she has moved away, long ago, leaving no forwarding address. To his chagrin, an African-American family now owns the house. Lloyd desperately bargains with them to at least let him stay the night, and in return, he reluctantly agrees to dress up as a giant turkey in the kids' school Thanksgiving play.
But being a gobbling turkey isn't the only ridiculous thing he bargained for! The next day he's swept up and away by a huge balloon in the Thanksgiving Day Parade, assaulting Santa in the process. And then he has to team up with a former civil rights activist in order to save a little boy from a gang of thugs. Lloyd Burns finally, and irrevocably, discovers the true meaning of family, friends, and a real Thanksgiving, no matter what. |
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Posted November 13, 2006 |
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LOGLINE:
Contemporary black family deals with modern face of racism as white supremacists--now utilizing computers and white-power rock music--come to the fore. The town takes a dramatic stand. |
SYNOPSIS:
NOBODY WANTS TO BE LAST is a story of white supremacists in America, a growing faction that surfaces every so many years in different guises. Groups that now use modern methods of hate, like computers-where no hoods are needed-to organize and spread their message. It also highlights white power music--hard rock bands used to win young recruits.
The film opens in a bucolic small town in south Georgia, where a devoted African-American couple (Martha and Big Matt) are about to experience an upheaval in their lives. First, their daughter, Gina, a television program host in Atlanta, finds she is scheduled to moderate a show that includes three neo-Nazis: "I'm not sure I can do this, I'm not sure I can even be in the same room with them." Then Big Matt happens on a clandestine paramilitary practice while walking in the back woods, telling Martha, "It was something strange. Something strange and secret."
When Big Matt has an unexpected heart attack, Martha is devastated. Shortly afterward, her church is badly desecrated after the minister marries an interracial couple. Then a home is firebombed when a black family moves into a nearby all-white county, and Martha decides to join a march against the KKK.
Gina's boss, Bert Miller, plans a documentary on the growth of white supremacists--focusing on this particular all-white county in Georgia--and enlists Martha's help, as well as Chad Atkins, a white journalist who will infiltrate the Klan to get information for the documentary.
Meanwhile, George (Gina's estranged husband) learns through his job as an executive with a large Atlanta corporation that another path is better than putting small competition out of business, and comes back to his roots, and, eventually to Gina and their two boys. Throughout, Martha is the matriarch of the family who has a way of seeing beyond all the happenings, to the truth of things.
In the end, one small town will come to grips with racism and take a dramatic stand. It is also the story of love and the powerful and liberating effect of that love, for us all. |
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Posted August 23, 2006 |
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LOGLINE:
Desperate for money, a beautiful computerprogrammer rigs a $10-million magazine sweepstakes, planning to marry the “Average Joe” winner beforehand, get a quickie divorce, and pocket $5 million.
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SYNOPSIS:
Ashley Charles, a gorgeous young Manhattanite, is a computer whiz who picks the sweepstakes winners for a New York magazine. Ashley thinks she was hired for her brains, but it was for her body. When her boss hits on her and she resists, he fires her.
Ashley is desperate for money because she’s been living up to every penny and helping to support her parents. So she manages to program her computer to make the next $10-million winner Paul Griffin, an average guy in a small, rural town.
Her plan is to move there, win and wed the soon-to-be multi-millionaire, divorce him right after that, and return to Manhattan $5 million richer.
Ashley only has 30 days to pull off her scheme before the sweeps mailing arrives. But the sophisticated, big-city girl soon runs into complications, including culture shock, Paul’s suspicious aunt and his pretty former girlfriend.
Paul is a teacher and baseball coach who is beloved by his students. As Ashley charms him and he starts to fall for her, she feel bad for betraying him, but she’s in too deep to quit. Soon Paul is head over heels and asks Ashley to marry him.
But Ashley is knocked unconscious at a baseball practice and must spend the night in the hospital. That’s when the sweeps mailing arrives. Paul has no idea of its value and promptly trashes it.
When Ashley comes home she realizes what happened and, try as she may, can’t retrieve the mailing. Distraught, she confesses all, leaves Paul, and returns to Manhattan.
However, she soon realizes that she does love him. She comes back and begs his forgiveness but he rejects her. With her heart broken, she again returns to Manhattan.
Meanwhile, a kleptomaniac dog has retrieved the sweeps notice from the garbage. So, will Paul get the $10 million after all? If he does, will he offer to share it with Ashley? Will she accept any money? And most importantly, will this romance have a happy ending?
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Posted July 16, 2007 |
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LOGLINE:
An autistic boy in possession of a piece of rainbow finds himself on the same journey as a Himalayan monk. Together they transform the world. |
SYNOPSIS:
The story begins with a brief scene high in the Himalayas where a baby is born with a unique birthmark, signifying this child will one day help bring to fruition a centuries old prediction.
Back in a small Maine mill town, a family is victimized by a drunk driver, leaving all members physically and psychologically scarred. The parents, polarized by this tragedy, cope in opposing ways. Their surviving son is now home after spending four years in specialized care. He is catatonic, and perhaps autistic, yet we are able to gain insight into his fantasy world by seeing things as they appear through his eyes. Perhaps another hallucination, he watches as a piece of a rainbow breaks off and falls to the ground. Picking it up he carries it home where astonished parents and neighbors are bewildered and frightened by this surreal phenomenon. The media begins inquiries that lead to speculation that the whole thing is an elaborate hoax.
Meanwhile, back in the Himalayas, we’ve seen our birth-marked baby, trained in mathematics, Shakespeare and martial arts, develop to adulthood. Aware of the events in Maine, he is sent by leaders to facilitate the yet undisclosed task that was foretold centuries earlier.
The media coverage of the events in Maine has led to thousands of curiosity seekers flocking to the Maine mill town. Sensing they can no longer be protected by local law enforcement, and being harassed by what may be government agents, the family flees with the rainbow beginning an exciting getaway that leads them to Maine’s highest mountain, Katahdin.
Our Himalayan hero, having journeyed to Maine, employs an ultra light to rescue the boy from pursuing bad guys. There, on the summit, the two bring the story to a climax by throwing pieces of the rainbow skyward. We witness these pieces rocketing back to earth in remote and populated parts of the world. Upon impact, waves of pulsating rainbow light radiate outward, effecting an immediate end to hostility among warring peoples, and the emergence of a world that for the first time in history, is full of compassion, brotherhood and love. A world at peace. As for our family in Maine, they too experience a resolution of the anxiety that has kept them at odds.
Charming, yet intriguing enough for the entire family, The Rainbow appeals to people of all ages and backgrounds. There is something for everyone. It’s a mystery with chase and action scenes, and a dramatic fantasy with gut wrenching emotion. There’s humor, some obvious, some tongue in cheek. The mystery, suspense and tension begin with the opening scene and doesn’t let up until the very end, when we’re left with the feeling that this is possible. That the world could be a better place. That there is hope for humanity. The story line, which revolves around this family and the rainbow, is totally unique, as is the surprise ending that glorifies, not violence, but peace. The world is ready for this story. |
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Posted July 12, 2007 |
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